Last week, we brought on a new producer to help get some forward movement on this LEVEL 7 feature project I’ve been working on for a while now. The great thing about bringing someone new onto your project is that they bring all of their individual experience and ideas to what you’re doing, which forces you to take a look at the work from a whole new perspective.
One of the sales tools we’re using in presenting the LEVEL 7 project to potential financiers is a two minute trailer cut from the short film we made last year. The new producer thought it might be an interesting experiment to revisit this trailer, not only with some new visual material, but with different music than the score we currently have in it. The score, done by the talented Mr. Deane Ogden, is fantastic, but for the very quick trailer, this producer suggested we try sourced music as a way to hook the viewer and hold the whole thing together thematically. Sourced music is music that already exists and hasn’t been created specifically for your film project. In this case, we’re looking for an existing song that enhances the narrative and emotional content of the trailer’s visuals, and ideally is something familiar enough to the viewer that they have a positive reaction to the work overall.
Pairing music with visuals, whether it’s creating the score from scratch or finding the right song for the scene, is one of my favorite parts of filmmaking. I have absolutely no musical talent whatsoever, having failed at more attempts to learn instruments than I care to mention. Some would also question my musical taste, which I’ll simply sum up as eclectic. Nonetheless, for me, the right music makes the film, so I was up to this new challenge and immediately began combing my own music library, which currently consists of 5,225 items amounting to 13.9 days worth of listening entertainment, according to my iTunes calculation. (And this doesn’t include older CD’s that I have yet to load on the computer.) When I exhausted the possibilities within my own library, I began searching online. Talk about trying to find a needle in a haystack!
In desperation, I threw out a tweet looking for help in finding that perfect track. I got a lot of great responses with inspiration across the entire spectrum of music and I tracked down and listened to every single suggestion, comparing it to the current cut of the trailer I’m working with. Sadly, I haven’t yet found the perfect song to accompany this piece, but I do have a few contenders while my search continues.
I’ve uploaded a low res version of the trailer with no audio so you can see what I’m trying to match the music to. It’s no easy task. The trailer contains elements of horror, action, and science-fiction. Trying to find a song that communicates all of those different genres in one cohesive piece…well, that’s the reason films are scored! But I’m sure the perfect song is out there somewhere, and I’m determined to find it.
SilentTrailer — Click to View
Note: due to copyright laws, I can’t use a piece of sourced music publicly without obtaining the rights. The presentation of the trailer with the sourced song would only be in private presentations, so I can’t post it here. But I will give you the list of my contenders and if you’re so inclined, you can play them in the background against the trailer to see how they might match up.
I narrowed my list down to four songs that I think created very interesting and very different viewing experiences with the trailer:
My current favorite is Land of Confusion by Disturbed (thanks to everyone who suggested Disturbed, which led me here). This is a high-octane cover of the original Genesis song, which is a favorite from the 80’s. The sound pairs well with the trailer and the intensity builds nicely along with the visuals. There is some very cool thematic overlap between the lyrics and the story playing out in the trailer with this character who wakes up in a place that he knows nothing about, only to be pursued by forces he doesn’t understand. The downside is that the lyrics eventually go to a place where I think the parallel ends, and it sort of loses its relevance.
The next best pick is Dragula by Rob Zombie. This one works for me because of the sound texture and tempo. Thematically, there’s not much relevance, but you can’t really hear the words anyway, so that doesn’t matter too much. On the downside, I think it’s a little dated and a little loud for a presentation. Sometimes the folks we’re talking to are looking a little bleary-eyed from living the Hollywood lifestyle, and hitting them with Rob Zombie before they’ve had their third round of Advil and coffee might not be the best sales approach.
On a lark, and to try something different, I tried E.T. by Katy Perry (with Kanye West). Before you judge me, this one was NOT in my music library before this project started. However, I started searching iTunes with terms like ‘alien’ and ‘space invader’ and eventually stumbled across this bizarre song, and I was surprisingly amused by how it worked. But I think it becomes too much of a joke to be effective. ‘Playing against type’ is the term used when music is paired with visuals that don’t match thematically, such as a big bloody shoot out set to Jingle Bells. While the subject matter of the song and trailer possess some entertaining overlap, the genre of music seems to go against type in the case of E.T.
Speaking of playing against type, there was one more song that I tried, almost by accident, and this one was in my library already; Delilah by Tom Jones. There is absolutely no reason to pair this song with the trailer, but there is an suspenseful sort of intensity to the way Delilah starts that seemed oddly appropriate when I played it next to the trailer. It’s absolutely wrong for the presentation, but it’s a hoot to watch.
There’s about five seconds of black at the front of the trailer. If you do decide to watch it against any of those songs, wait until you’re a few seconds in and then cue the track.
For now, the search goes on. Now that you’ve had a chance to see what I’m trying to put music to and you know what I’ve been listening to, I’d love to hear any new suggestions!